
*le sigh*
When I heard this news, my heart immediately sank, and not simply because I'm already biased against most Tyler Perry films. I was crushed for several reasons. The first, is that this play, is very special, and held in the highest regard amongst Black women, or cultured people period. "Cultured" not in the narrow-minded and elitist sense of the word but based in fact. Not all of our beautiful children of color in this country are exposed to theater, let alone to the voice, movement, and theatrical expression that is Ntozake Shange. Written in 1975, the play is a collection of 20 choreopoems acted by nameless Black women known only as colors, still holds deep relevance when acted across the Nation today.
The second is that the characters embody feelings and experiences indicative to the essence of a Black woman. So many young women have read and related, or auditioned and become changed once introduced to the Ladies of the Rainbow. Their testimonies and monologues are universal to women of color and it is truly a joy to watch on stage. I know TPerry has built a mega-brand off cross-dressing and moonlighting as a woman, but the truth is that he is not a Black woman. Therefore, any immediate authenticity in re-creating the story is lost...to a Black male with controlling authority (writer, director, producer, street team etc. that is T.Perry). I'm rather doubtful he can capture the raw emotion and testimony as written by Shange.
The third, is that given the track record... how can I not be nervous?? Of all the many T.Perry films I've witnessed, and I do believe I have seen them all, the two stand-outs were The Family That Preys (great film) and Why Did I Get Married (Good film). Reasons being the acting was great, the plot lines were relate-able and I found characters I could root for throughout the films.Neither of the favorites tackled serious drama or were to align with Tony-award worthy performances of a theater brand, like "For Colored Girls". "Precious", the most dramatic cinema project where Perry executive produced alongside Oprah Winfrey, left me more than unfulfilled as it palled in-comparison to the masterpiece that was the novel "Push" by Saphire. I don't want to sit crushed in the movies next spring, watching the credits roll, angry that a T. Perry caricature will be mainstream America's equates to "Lady In Purple".
In no way am I "hating" on Tyler Perry but pointing out my fears of the mega-director. A director known for breaking box-office records while utilizing a formula that often lacks provocative thought, intense character development, or diverse image representation among his Black characters, and dressing in drag as the beloved Madea. I will forever respect Tyler Perry and his many accomplishments for all Black folk in media, film production, development, and ownership in particular. I'm sure I will purchase a ticket to his interpretation of "For Colored Girls". I just wouldn't be myself if I didn't issue my version of a disclaimer though, prior to my scathing critique.
Peace,
Dawnavette